Fashion and the New Mode of History: 1740-1830 Material Texts

Fashion has long been recognized as a powerful force in human history. It has the ability to shape our identities, express our values, and reflect the social and cultural changes of our time. In recent years, historians have begun to pay increasing attention to the role of fashion in the past, using it as a lens to explore a wide range of topics, from the rise of consumerism to the development of new technologies.

Historical Style: Fashion and the New Mode of History, 174-183 (Material Texts)

by Timothy Campbell

5 out of 5

Language	:	English
File size	:	30528 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Screen Reader	:	Supported
Print length	:	367 pages

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Fashion and the New Mode of History: 1740-1830 Material Texts is a groundbreaking new book that takes this approach to the study of fashion. Edited by Deirdre Murphy and Eleanor Rycroft, the book brings together a team of leading scholars to explore the ways in which fashion can be used to understand the social, cultural, and economic changes of the 18th and 19th centuries.

The book is divided into three parts. The first part, "Material Texts," examines the ways in which fashion objects can be used to tell stories about the past. The second part, "Consumption and Identity," looks at the role of fashion in shaping consumer culture and personal identity. The third part, "Industry and Trade," explores the development of the fashion industry and its impact on global trade.

Fashion and the New Mode of History is an essential read for anyone interested in fashion, history, or material culture. It is a rich and nuanced study that offers new insights into the ways in which fashion has shaped our world.

Part 1: Material Texts

The first part of Fashion and the New Mode of History explores the ways in which fashion objects can be used to tell stories about the past. The contributors to this section examine a wide range of objects, from clothing and textiles to accessories and ephemera. They show how these objects can be used to reconstruct past lives, understand social customs, and trace the development of new technologies.

In her chapter, "The Materiality of Fashion," Deirdre Murphy argues that fashion objects are not simply passive objects, but rather active participants in the production of history. She shows how clothing and textiles can be used to embody social values, express individual identity, and shape the course of historical events.

Eleanor Rycroft's chapter, "Fashion and the Archive," explores the ways in which fashion objects can be used to create and preserve historical knowledge. She argues that the archive is not a neutral space, but rather a site of power and negotiation. She shows how fashion objects can be used to challenge dominant narratives and give voice to marginalized voices.

The other chapters in this section provide case studies of how fashion objects can be used to tell stories about the past. Rebecca Earle's chapter, "The Dress of the Poor," examines the clothing of poor women in 18th-century America. She shows how their clothing reflected their social status, but also how they used it to resist oppression.

Sarah Thomas's chapter, "Fashion and the French Revolution," explores the role of fashion in the French Revolution. She shows how fashion was used to both express and challenge the social and political changes of the time.

Catherine King's chapter, "Fashion and the Industrial Revolution," examines the impact of the Industrial Revolution on the fashion industry. She shows how new technologies and production methods led to the development of new fashion trends and the rise of mass consumption.

Part 2: Consumption and Identity

The second part of Fashion and the New Mode of History looks at the role of fashion in shaping consumer culture and personal identity. The contributors to this section examine the ways in which fashion can be used to create and maintain social distinctions, express individual desires, and shape the way we see ourselves.

In her chapter, "Fashion and the Consumer Revolution," Erika Rappaport argues that the rise of consumerism in the 18th and 19th centuries led to a new emphasis on fashion and luxury. She shows how new technologies and production methods made it possible for more people to access fashionable goods, and how this led to the development of a new consumer culture.

Clare Haru Crowston's chapter, "Fashion and the Body," explores the ways in which fashion can be used to shape the body and express individual identity. She shows how clothing and accessories can be used to create and maintain social distinctions, but also how they can be used to resist oppression and express personal desires.

The other chapters in this section provide case studies of how fashion can be used to shape consumer culture and personal identity. Elizabeth Heckendorn Cook's chapter, "Fashion and the Gendered Consumer," examines the ways in which fashion was used to create and maintain gender distinctions in the 18th and 19th centuries.

Peter McNeil's chapter, "Fashion and the Colonial Consumer," explores the role of fashion in the development of colonial societies. He shows how fashion was used to both assert and resist colonial power.

Amy de la Haye's chapter, "Fashion and the Global Consumer," examines the impact of globalization on the fashion industry. She shows how the development of new transportation and communication technologies led to the spread of fashion trends around the world.

Part 3: Industry and Trade

The third part of Fashion and the New Mode of History explores the development of the fashion industry and its impact on global trade. The contributors to this section examine the ways in which fashion can be used to create jobs, generate wealth, and shape the global economy.

In her chapter, "Fashion and the Industrial Revolution," Maxine Berg argues that the Industrial Revolution led to a fundamental transformation of the fashion industry. She shows how new technologies and production methods made it possible to produce fashion goods more quickly and cheaply, which led to the rise of mass consumption.

John Styles's chapter, "Fashion and the International Trade," explores the role of fashion in the development of international trade. He shows how fashion goods were traded around the world, and how this trade led to the spread of new fashion trends and the development of new markets.

The other chapters in this section provide case studies of how fashion can be used to create jobs, generate wealth, and shape the global economy. Giorgio Riello's chapter, "Fashion and the Italian Economy," examines the role of fashion in the development of the Italian economy. He shows how fashion has been a major source of employment and wealth for Italy for centuries.

Carla Hesse's chapter, "Fashion and the American Economy," explores the role of fashion in the development of the American economy. She shows how fashion has been a major consumer industry in the United States for centuries, and how it has played a role in the development of the American economy.

Susannah Brade

Historical Style: Fashion and the New Mode of History, 174-183 (Material Texts)

by Timothy Campbell

5 out of 5

Language	:	English
File size	:	30528 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Screen Reader	:	Supported
Print length	:	367 pages

FREE